Network:Chill Trap/UCHO3sRJtKFlHQGW-zLGt5yw: Difference between revisions
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{{PageAutoFill-channel | {{PageAutoFill-channel | ||
|channelid=UCHO3sRJtKFlHQGW-zLGt5yw | |channelid=UCHO3sRJtKFlHQGW-zLGt5yw|verified=1 | ||
|channelname=Future Bass | |channelname=Future Bass | ||
|creationdate=Oct 10, 2015 | |creationdate=Oct 10, 2015 | ||
|channeldescription=👉Welcome to the Official Future Bass Channel. <br><br>👉Check our SoundCloud for submissions.<br>We can't respond to all inquiries. If you have not heard back in over 2 days, we thank you for your interest but have passed on your application.<br><br>👉Description:<br>Future Bass is a music genre that arose near the year of 2006 in the United Kingdom, United States, Japan, and Australia. It is a broad genre of music, offering a wide variety of sounds and rhythms normally produced by a synthesizer.<br>Future Bass is described as having a focus on a hard bassline with detuned synthesizers mostly including sawtooth waves and square waves. The sound waves are often modulated using automation or Low-frequency oscillation controlling the cutoff of an audio filter (typically a low pass or high pass filter) making the waveform sound louder or quieter. In addition, it is common to find the utilization of a sort of "twinkly" sounding rise (gradual rise in pitch), including arpeggio chords, and vocoders. | |channeldescription=👉Welcome to the Official Future Bass Channel. <br><br>👉Check our SoundCloud for submissions.<br>We can't respond to all inquiries. If you have not heard back in over 2 days, we thank you for your interest but have passed on your application.<br><br>👉Description:<br>Future Bass is a music genre that arose near the year of 2006 in the United Kingdom, United States, Japan, and Australia. It is a broad genre of music, offering a wide variety of sounds and rhythms normally produced by a synthesizer.<br>Future Bass is described as having a focus on a hard bassline with detuned synthesizers mostly including sawtooth waves and square waves. The sound waves are often modulated using automation or Low-frequency oscillation controlling the cutoff of an audio filter (typically a low pass or high pass filter) making the waveform sound louder or quieter. In addition, it is common to find the utilization of a sort of "twinkly" sounding rise (gradual rise in pitch), including arpeggio chords, and vocoders. | ||
}} | }} | ||
Revision as of 22:27, 1 February 2023
| Published | ID | ⏱ | Title | |
|---|---|---|---|---|
| Jul 21, 2020 | fHNj2FQrRuE | 4:06 | Marc Madness - Fall In Love 7,648 360 5 | |
| May 8, 2020 | 7QZuyqIOYDQ | 3:19 | Mel Ody - Falling Down 5,751 231 15 | |
| Feb 26, 2020 | JQXcG_UWYHI | 3:10 | Collin Jax - Be Better (feat. Rozy) 7,241 289 7 | |
| Jan 21, 2020 | qHy24IuQxHg | 2:33 | SOBA - Let U Go (feat. Mark O) 8,201 358 6 |
| Published | ID | ⏱ | Title | |
|---|---|---|---|---|
| Nov 22, 2019 | NMfm11P4jRo | 4:24 | 8,401 353 6 | |
| Oct 18, 2019 | dnXlpiS8Bqg | 3:05 | Charlie Crown - Loud & Wild ft. Kinck 5,800 199 9 | |
| Jul 27, 2019 | u8fTF1Mlfg0 | 3:55 | xChenda - Now Or Never 13,568 520 2 | |
| May 11, 2019 | eoqThIuhZOQ | 2:53 | BEAUZ, ThatBehavior - Bipolar feat. Luna 18,724 530 8 |
| Published | ID | ⏱ | Title | |
|---|---|---|---|---|
![]() | Dec 14, 2015 | RKgJYF7V0RA | 3:25 | [Future Bass] LANGS - Owls 2,723 72 4 |
| Dec 6, 2015 | YJpOqtm7u-M | 3:07 | [Future Bass] Alchehab - EYO 2,624 71 5 | |
![]() | Dec 1, 2015 | O-pt3C2ptL4 | 4:04 | [Future Bass] Venza & D.Vault - U Get Me ft. Eve DeVault 9,823 93 5 |
![]() | Nov 12, 2015 | Y5kRNEVeH-k | 3:22 | [Future Bass] Austin Johnson - Kiss Me Thru The Phone (Enschway Re-Remix) 8,150,962 156,293 1,645 |
![]() | Nov 7, 2015 | FJTtmLe-DPk | 3:17 | [Future Bass] SODIRT x Mezzo - Waves 9,873 116 6 |
| Oct 30, 2015 | tKbHD6ANomc | 3:31 | [Future Bass] Jordan Andrew - Forever (w/ Zankyou) 3,361 67 3 | |
| Oct 25, 2015 | lvWXTxTc-ks | 3:46 | [Future Bass] Vulpey - Mango Pop 4,682 85 3 | |
![]() | Oct 13, 2015 | XXmgkSXeXtg | HOVERBOOTS - Bells |












































